The Artificial Audioscape

Bombastic, attention-grabbing inorganic noises are becoming the norm. No, I am not talking about the political debates in Washington, D.C. I am talking about the cacophony produced by today’s technology gadgets and “personal assistants” that everyone seems to have. We are now sufficiently habituated to these sound effects that their presence on TV shows is no longer a novelty; it is stranger to hear a landline ring in a contemporary show than to hear the default iPhone marimba beat.

Many digital sound effects, such as the camera shutter can be classified as “skeuo-morphs,” or imitation objects that unnecessarily use ornamental design features of the originals (such as false stitching on pleather seats). Their ubiquity suggests a postmodern aural backdrop in which the artificial is increasingly replacing the real. For people who grew up hearing only the real sounds, the new distinctions are likely clearer. “Someone who’s 80 and someone who’s 12 are going to have different responses to a sound (Mason, Oberlin University).”

Do you hear what I hear?

Ray Myers

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